JEPH JERMAN/TIM BARNES (duo) + FRAUFRAULEIN
Goethe-Institut Boston
Friday, May 22, 2015

Non-Event presents

JEPH JERMAN + TIM BARNES
FRAUFRAULEIN (Anne Guthrie + Billy Gomberg)

Goethe-Institut Boston
170 Beacon Street
Boston, MA 02116
Doors: 7:30pm | Music: 8pm
Tickets:
Advance: $12 general admission, $8 members + students
Door: $15 general admission, $10 members + students

JEPH JERMAN: I grew up in a military family, so we moved around a lot, a different place every two years until my father retired in Colorado. I started playing music in a number of bar bands, whilst also experimenting with other forms – playing around with tape recorders and trying to find people to improvise with. Formed a few long lasting bands (Big Joey, City Of Worms, Blowhole) and began recording and playing solo as hands to. Ran a cassette label during the 80s cassette culture explosion. 

Eventually ended up in Seattle, where I fell in with the local musical community. Two years of near-constant playing with people like Paul Hoskin, Doug Theriault, Dave Knott, Angelina Baldoz, Lori Goldston, Mike Shannon and Wally Shoup. One memorable concert with John Butcher. Continued to develop my solo work, and began improvising with natural sound makers (stones, shells, pine cones) around 1996. Formed the first animist orchestra in 1999, to perform works for same. 

Moved to Arizona and have since done tours with Tim Barnes, Sean Meehan and David Daniell, Paul Hoskin, and toured Australia and New Zealand with Greg Davis. In 2001 I made recordings of the desert and it’s interaction with man made structures and released a new cassette every month for a year. I continue to investigate the desert, build crude sound making devices and play and record whenever the opportunity arises.

TIM BARNES is a globally recognized percussionist, composer, sound designer, and audio archivist. He has performed at the Guggenheim, Whitney, and Pompidou museums, as well as in galleries and performance halls in Tokyo, Berlin, Rome, Belgium, Stockholm, Mexico City, and Melbourne. He has been recruited to perform with some of experimental music’s most accomplished players, including John Zorn, Kim Gordon, Ikue Mori, Jim O’Rourke, Lee Ranaldo, and Jeph Jerman. American corporations such as Starbucks, Nike, Cadillac, and Merrill Lynch have hired Tim to create sound collages for their television advertisements. He has also worked closely with Fluxus artists La Monte Young and Henry Flynt with archival restoration of recorded works, and in 2005, Tim performed and recorded Alison Knowles’ composition “Onion Skin Song”. Currently, he is working with Vito Acconci and the publisher Primary Information on presenting Mr. Acconci’s complete recorded works. Tim lives in Louisville, Kentucky, where he is the Artistic Director of the performing and visual art space Dreamland.

FRAUFRAULEIN is Billy Gomberg and Anne Guthrie.

BILLY GOMBERG lives in Brooklyn NY. His studio practice incorporates analog synthesis, digital treatments, acoustic recordings and occasional instrumentation, navigating impressions of physicality via improvisation, process and space. Flyover Sound (Experimedia, a collaboration with Offthesky) received a nomination in the Experimentation/Research category of the 7th Qwartz Awards in Paris. Other releases include his LP False Heat (False), Certain Words Again and Again (Sunshine Ltd), and four years later (since, why not) on CD by the trio Delicate Sen (with Anne Guthrie & Richard Kamerman).

ANNE GUTHRIE is an acoustician, composer, and French horn player living in Brooklyn, NY. She studied music composition and english at the University of Iowa and architectural acoustics at Rensselaer Polytechnic Institute, where she recently completed her Ph.D. Her music combines her knowledge of acoustics and contemporary composition/improvisation. Her electronic music has focused on exploiting the natural acoustic phenomena of unique architectural spaces through minimal processing of field recordings. Her composition has focused on the orchestration of non-musical sounds, speech in particular. Her French horn playing has focused on electronic processing and extended techniques used in improvisatory settings, as a soloist and with Fraufraulein and Delicate Sen, among others. Her acoustics research has focused on the use of ambisonics for stage acoustics.

This program is supported in part by a grant from the Boston Cultural Council, a local agency which is funded by the Massachusetts Cultural Council, administrated by the Mayor’s Office of Arts, Tourism, and Special Events.