Image: Quiet Zone by Jed Speare
Non-Event and NEC present
Beyond These Things: A Concert for Jed Speare
World Listening Day
NEC, Pierce Hall
241 St. Botolph Street
7pm / FREE
Ernst Karel makes electroacoustic music and experimental nonfiction sound works for multichannel installation and performance. His recent projects are edited/composed using unprocessed location recordings; in performance he sometimes combines these with analog electronics to create pieces which move between the abstract and the documentary. Recent sound projections have been presented at Oboro, Montreal; EMPAC, Troy NY; Arsenal, Berlin; and the 2014 Whitney Biennial. Sound installations in collaboration with Helen Mirra have been exhibited at Culturgest, Lisbon; KW Institute for Contemporary Art, Berlin; Audiorama, Stockholm; MIT List Visual Arts Center, Cambridge; and in the 2012 Sao Paulo Bienal. Video with multichannel sound collaborations include Ah humanity! (2015, with Lucien Castaing-Taylor and Véréna Paravel) and Single Stream (2014, with Toby Lee and Pawel Wojtasik). Other projects include the long-running electroacoustic duo EKG, and the location recording/performance collective the New England Phonographers Union.
Composer Katarina Miljkovic investigates interaction between science, music and nature through collaborative musical performance. This interest led her to the mathematician Benoit Mandelbrot’s essay The Fractal Geometry of Nature and self-similar complex structures resulting in the cycle, Forest, “a dreamy piece, along the lines of Feldman or Brown, entirely captivating” (Signal to Noise). Her generative music has been described as “a refined, hypnotic dream” (Danas), “a work of musical and visual slow-motion with only a few delicately elaborated musical metaphors” (Radio Belgrade), and “ambient tone poem that moved hypnotically through the sonic frame” (Lucid Culture).
Morgan Evans-Weiler is a Boston based sound artist, composer, performer, curator and educator whose work includes ensemble and solo compositions, improvisations, sound installations, drawings, concert curation, production and ensemble direction. Exploring the realms of contingency and environment, Evans-Weiler’s works examine the process of change and the inherent creativity that exists as a precondition of our physical and temporal experience. He uses objects, psychoacoustic phenomena, stasis, stillness and our sense of place as compositional material to explore our environmental experience of space and time. His recent album Violin/Sine was called ‘transfixing’ by writer Steve Smith and included in the Boston Globe’s list of “Best Local Classical Albums of 2015.”
John Mallia lives and works in Boston, where he is a member of the Composition Faculty, and directs the Electronic Music Studio, at the New England Conservatory of Music. His compositional process is informed by spatial constructs and concepts, and a fascination with presence, ritual, and the thresholds standing between states of existence or awareness. In addition to composing chamber music and works combining acoustic instruments with electronics, he creates fixed media compositions, and collaborates with visual artists on multimedia works, including installation.
This concert is part of Beyond These Things: A Series for Jed Speare
This program is supported in part by a grant from the Boston Cultural Council, a local agency which is funded by the Massachusetts Cultural Council, administrated by the Mayor’s Office of Arts + Culture.